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What's New with Mary Phillips


November 15, 2011

A Mezzo for All Reasons

MARY PHILLIPS, mezzo-soprano

2010-2012 Appearances

BACH
Mass in B Minor

Nashville Symphony

BEETHOVEN
Symphony No. 9

Baltimore Symphony
Philadelphia Orchestra
Saratoga Performing Arts Center

GLASS
Satyagraha “Mrs. Alexander”

Metropolitan Opera

HANDEL
Messiah

Baltimore Symphony
Seattle Symphony

Rodelinda “Eduige” (cover)
Metropolitan Opera

MAHLER
Symphony No. 2

Portland Symphony

MENDELSSOHN
Elijah

Carnegie Hall/Oratorio Society of New York

MOZART
Requiem

Memphis Symphony

PROKOFIEV
Alexander Nevsky

Milwaukee Symphony

SAINT-SAËNS
Requiem

Carnegie Hall/Oratorio Society of New York

VERDI
Aida “Amneris”

Hawaii Opera Theater

Il Trovatore “Azucena”
Bob Jones University
Seattle Opera

WAGNER
Die Walküre “Fricka”

Hawaii Opera Theater

Das Rheingold “Fricka” (cover)
Metropolitan Opera

Die Walküre “Schwertleite”
Metropolitan Opera

Tristan und Isolde “Brangäne”
Dallas Opera

HEAR Mary Phillips


June 15, 2011

“Stunning”

MARY PHILLIPS, Mezzo-soprano

“stunning performances characterized by expressive, rich-toned singing and nuanced acting.”
-- Austin American Statesman

2010-2012

BACH
Mass in B Minor

Nashville Symphony

BEETHOVEN
Symphony No. 9

Baltimore Symphony
Philadelphia Orchestra
Saratoga Performing Arts Center

GLASS
Satyagraha “Mrs. Alexander”

Metropolitan Opera

HANDEL
Messiah

Baltimore Symphony
Seattle Symphony

Rodelinda “Eduige” (cover)
Metropolitan Opera

MAHLER
Symphony No. 2

Portland Symphony

MENDELSSOHN
Elijah

Carnegie Hall/Oratorio Society of New York

MOZART
Requiem

Memphis Symphony

SAINT-SEANS
Requiem

Carnegie Hall/Oratorio Society of New York

VERDI
Aida “Amneris”

Hawaii Opera Theater

Il Trovatore “Azucena”
Bob Jones University
Seattle Opera

WAGNER
Die Walküre “Fricka”

Hawaii Opera Theater

Das Rheingold “Fricka” (cover)
Metropolitan Opera

Die Walküre “Schwertleite”
Metropolitan Opera


HEAR Mary Phillips


February 25, 2011

Your Verdi Mezzo

Mary Phillips, Verdi mezzo

Eboli/Don Carlo
Azucena/Trovatore
Amneris/Aida
Preziosilla/La Forza del Destino
Maddalena/Rigoletto
Canadian Opera Company
Seattle Opera, Austin Lyric Opera
Utah Opera, Opera Birmingham
Metropolitan Opera
San Francisco Opera

"Forceful and focused"
"A striking Amneris. Her voice was forceful and focused as she gave a vivid portrayal of a young woman who is accustomed to getting her own way but is horrified at the unintended consequences of her actions. The quiet power of her final lines brought the opera to a gripping conclusion." --The Salt Lake Tribune

"Poured her heart and voice into it"
"Phillips provided some of the strongest singing all evening. It’s a difficult role, requiring agility, a wide vocal range and emotional strength, and Phillips poured her heart and voice into it." --The Birmingham News

HEAR Mary sing "O don fatale" from Don Carlo

Mary performs with Hawaii Opera Theatre:
VERDI Aida
"Amneris"
January 27, 29, 31, 2012


January 11, 2011

“The fury of the goddess”

WAGNER Der Ring des Nibelungen
Mary Phillips, mezzo-soprano

Wellgunde/Das Reingold Seattle Opera
Erda/Das Rheingold Scottish Opera
Fricka/Die Walküre Metropolitan Opera, Canadian Opera Company
Waltraute/Die Walküre Canadian Opera Company
Rossweisse/Die Walküre Metropolitan Opera, Dallas Opera, Seattle Opera
Schwertleite/Die Walküre Metropolitan Opera
Erda/Siegfried Scottish Opera
Waltraute/Götterdämmerung Canadian Opera Company
Wellgunde/Götterdämmerung Seattle Opera

"Mary Phillips…gave a radiant performance as Fricka, projecting both the pain of the neglected wife and the fury of the goddess whose rites have been flouted." – Globe and Mail

"Mary Phillips’ assertive mezzo served equally well in haranguing Wotan as Fricka and in entreating Brunnhilde as Waltraute." – Financial Times

HEAR Mary sing "So ist es dunn aus" from Die Walküre:

HEAR Mary at the Metropolitan Opera:
WAGNER Die Walküre
"Schwertleite"
James Levine
, conductor
April 22, 25, 28, May 2, 5, 9, 14, 2011


November 11, 2010

“Pure Gold”

Gustav Mahler  (1860-1911)
Symphony No. 2
"Resurrection"
Mary Phillips, mezzo-soprano

"Mary Phillips’ voice was pure gold" – Atlanta Journal-Constitution

"Terrific…Phillips in particular exhibited the sumptuous vocal color and hall-filling resonance of the Wagnerian mezzo, tempered by a capacity for blooming sweetness of soft tone in her middle voice that invested the last two lines of the "Urlicht" with chilling beauty." – Springfield News

"Mary Phillips…Absolutely perfect. [Her] simple passage (‘Oh rosebud red’) that opens the fourth movement was sung with angel-like simplicity and authority." – Honolulu Advertiser

"Phillips appeared first, in the short fourth movement ‘Urlicht,’….What was particularly striking about her reading was the way it progressed from doubt to triumph, based almost entirely upon vocal color. " - Portland Press Herald

Mahler2
Atlanta Symphony Orchestra
Mary Phillips, mezzo-soprano

BUY     

HEAR Mary


May 11, 2010

“Stamping and Cheers”

Mary Phillips, mezzo-soprano
Lisa Saffer, soprano
Portland Symphony Orchestra
Robert Moody, conductor

MAHLER Symphony No. 2 “Resurrection”

“…soprano Lisa Saffer and mezzo-soprano Mary Phillips, fully deserved the flowers, stamping and cheers that greeted the final gigantic chords….Phillips appeared first, in the short fourth movement ‘Urlicht,’….What was particularly striking about her reading was the way it progressed from doubt to triumph, based almost entirely upon vocal color. Both Phillips and Saffer were superb in the ‘The Great Call,’ of the finale, solo or soaring above the massed chorus and orchestra, and their voices were perfectly suited to a melodic duet.”
--Christopher Hyde, Portland Press Herald

Hear Mary Phillips


“DELIVERED THE GOODS”
June 22, 2009

Mary Phillips, mezzo-soprano “Santuzza”
Mascagni Cavalleria Rusticana
Orlando Opera


“When the action heated up, she and Springer both delivered the goods.”

“Mary Phillips’s Santuzza did not take Turiddu’s rejection lying down. Her voice, powerful in thrust, has a smoky, dark quality that was thrilling to hear....when the action heated up, she and Springer both delivered the goods.”
--Edmund Leroy Opera News


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