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August 9, 2010

“Nipping Down to Hell with Philip Glass”

ORPHÉE
Music by Philip Glass
Libretto by Philip Glass based on the 1949 film Orphée by Jean Cocteau

World Premiere Recording

Anne Manson, conductor
Lisa Saffer, soprano "La Princesse"
Portland Opera Company

"Nipping Down to Hell With Philip Glass"
--Anthony Tommasini,
The New York Times

"IN 1993 I attended the premiere of Philip Glass’s opera "Orphée" and was unimpressed.…The work did not cohere stylistically, and Mr. Glass’s score seemed automatic-pilot Minimalism.

"In 2007 at the Glimmerglass Opera I heard "Orphée" again … with the conductor Anne Manson drawing an urgent and nuanced account of the score from the excellent orchestra and a compelling cast. This time, 14 years after my first hearing, I was swept away by "Orphée." I have come to consider it among Mr. Glass’s most inspired works.

"The Glimmerglass production was presented last year at the Portland Opera in Oregon, with Ms. Manson conducting and many singers from the Glimmerglass cast. An excellent recording, taken from a live performance in Portland, has just been released by Orange Mountain Music (OMM 0068; two CDs), the first recording of the complete work.

"….The vibrant Ms. Manson works effectively to bring transparency and balance to the orchestra, without loss of plush colors and harmonic intensity…. the singers give engrossing performances, especially the leads: the charismatic baritone Philip Cutlip as Orphée and the lustrous soprano Lisa Saffer as the Princess."

Hear Anne Manson

Hear Lisa Saffer

Buy Orphée at Amazon


July 22, 2010

ORPHÉE

Music by Philip Glass

Libretto by Philip Glass based on the 1949 film Orphée by Jean Cocteau

World Premiere Recording

Anne Manson, conductor
Sam Helfrich, director

Lisa Saffer, soprano "La Princesse"
Georgia Jarman, soprano "Eurydice"
Ryan MacPherson, tenor "Heurtebise"
Philip Cutlip, baritone "Orphée"

Portland Opera Company

NEW YORK, NY – July 20, 2010 – The Orange Mountain Music label has announced the commercial release of the world premiere recording of Philip Glass’ Orphée, conducted by Anne Manson with the Portland Opera Company, which will be available for purchase on July 20, 2010. The production features a remarkable cast of soloists including renowned soprano Georgia Jarman as Eurydice; baritone Philip Cutlip and soprano Lisa Saffer – who both starred in the critically acclaimed Glimmerglass production of the opera in 2007 – reprise their roles as Orphée and La Princesse; and tenor Ryan MacPherson as La Princesse’s chauffeur, Heurtebise. Glass’ Orphée has been described by The New York Times as a "surprise hit: a rich, complex and challenging experience" "vibrantly conducted by Anne Manson", and was praised by The Wall Street Journal as "the best show of the season" with a "top-flight cast" in 2007.

Philip Glass’ Orphée (1993) was the first of a trilogy of operas that Glass composed on subjects by Jean Cocteau, which also comprises La Belle et la Bête (1994) and Les Enfants Terribles (1996). The last of the three to be recorded, this Michael Riesman-produced recording of Orphée was made from the series of live performances that took place in November 2009 at Portland Opera. This two-disc set includes a deluxe digipack, full libretto in French and English, color production photos and cast and performer biographies.

Based on Jean Cocteau’s fascinating retelling of the Orpheus myth in his 1949 film of the same title, Glass’ Orphée is an extended parable on the life of an artist, a poet harassed and misunderstood by peers. His success leads to the ridicule by fellow poets, ending in a creatively crippling isolation. With a renewed apprehension of his own mortality, Orphée regains his emotional strength, enabling him to ignore the trials of ordinary life, freeing him to be a poet. The poets Orphée and Cégeste, Euridice, and a mysterious Princess interact within the worlds of the living and the dead, existing in that mysterious realm that separates the two worlds. Love triumphs and thus returns Orphée and Euridice to mortal life, with no remaining consciousness of their unusual time spent between "the worlds". The Princess has violated the laws of life and death one time too many and is banished into oblivion.

Philip Glass, following his attendance at an Orphée performance in Portland, expressed his pleasure about the recording.  "This recording," he said, "happily completes the Cocteau Trilogy and will admirably reflect my hopes and intentions for this piece.  The Portland Opera production features a brilliant cast and an inspired conductor."

Anne Manson said, "It was a wonderful experience working on Orphée with such a gifted cast and director. I hope that the release of this recording will help to promote this wonderful and effective piece of music theater of Philip Glass. May it have many more performances!"

Portland Opera General Director Christopher Mattaliano noted the historic aspect of this recording as well as its significance in the world of contemporary classical music.  "It is an honor," he said, "to have Portland Opera’s production of Orphée complete the recording collection of Philip Glass’ entire Cocteau Trilogy. Mounting the west coast premiere of Orphée was a project that energized the company and our community. This recording puts the exclamation point on that excitement, especially since it will make our work available to a world-wide audience. It is also a source of pride for our staff, board, orchestra, and guest artists to be involved in such a worthwhile project."

RECORDING DETAILS
Philip Glass – Orphée (complete opera recording)
Orange Mountain Music label
OMM0068 – UPC 801837006827
Portland Opera Company, Keller Auditorium, Portland, OR
November 6 – 14, 2009

Hear Anne Manson

Hear Lisa Saffer

Buy Orphée at Amazon


May 11, 2010

“Stamping and Cheers”

Lisa Saffer, soprano
Mary Phillips, mezzo-soprano
Portland Symphony Orchestra
Robert Moody, conductor


MAHLER Symphony No. 2 “Resurrection”

“…soprano Lisa Saffer and mezzo-soprano Mary Phillips, fully deserved the flowers, stamping and cheers that greeted the final gigantic chords….Phillips appeared first, in the short fourth movement ‘Urlicht,’….What was particularly striking about her reading was the way it progressed from doubt to triumph, based almost entirely upon vocal color. Both Phillips and Saffer were superb in the ‘The Great Call,’ of the finale, solo or soaring above the massed chorus and orchestra, and their voices were perfectly suited to a melodic duet.”
--Christopher Hyde, Portland Press Herald

Hear Lisa Saffer


February 18, 2010

“A SENSE OF RHAPSODY”

Anne Manson, conductor
Lisa Saffer, soprano “La Princesse”
PHILIP GLASS Orphée
Portland Opera

“Conductor Anne Manson and a thirty-musician orchestra brought precision and...a sense of rhapsody [to] Portland Opera’s West Coast premiere of Orphée which Philip Glass composed in 1991 to a French libretto taken almost verbatim from the 1949 Jean Cocteau film.

...soprano Lisa Saffer as La Princesse sang with radiant beauty...”
--Mark Mandel, Opera News February 2010


January 22, 2010

PAEANS OF PRAISE!

Paeans of Praise!

“Decade In Review”
San Francisco Chronicle
“...Nicholas McGegan’s nearly annual march through the musical bounty of Handel’s oratorios and operas....when I look back on my year-end lists from the past decade, Philharmonia’s superb Handel performances show up like clockwork on practically every one.”

“Editor’s CD Review of Opera and Song”
CultureKiosque
“Adès captures the other-worldliness of Ariel with stratospheric writing for coloratura soprano, a role in which Cyndia Sieden excels, occasionally intelligible at heights when most sopranos have long ceased to articulate.”

“The Very Best of the Fall Opera Season”
The New York Observer
“In two recitals, one at Carnegie Hall and one at the Madison Avenue Presbyterian Church, Emma Kirkby created worlds of stillness in songs of the 17th century. I can’t get out of my head her encore at both recitals, Purcell’s Evening Hymn, which seems to go on forever and then ends much too quickly.”

“Top CDs of 2009”
Democrat and Chronicle
Daniel Taylor, The Voice of Bach. Taylor is one of the few countertenors of the world, raising his voice up to the mezzo-soprano range. The Bach selections on this disc are given an infinite boost with Taylor’s full, resonant and unique voice.”

“Best Classical Concerts of 2009”
The Oregonian
Orphée, Portland Opera. Phillip Glass’ operatic riff on the Orpheus legend stood out for its eye-catching set, powerful singing [soprano Lisa Saffer] and layered, pensive score.”

“Critics’ Pick for Best of ‘09”
The Star-Ledger
“Henry Purcell: Ten Sonatas in Four Parts, Matthew Halls harpsichord/organ. This beautifully produced recording from a U.K. period-strings group marked the 350th birthday of Purcell by showing how his polyphonic intimacies remain a lyrical, hypnotic marvel.”


November 11, 2009

GLASS Orphée

Lisa Saffer, soprano “La Princesse”
Philip Glass Orphée
Portland Opera
Anne Manson, conductor


Steven Brennfleck          Lisa Saffer

“...a terrific cast, led by Lisa Saffer, a cougar on the prowl as the Princess of death....Saffer’s singing was powerful, moving, and fearless. Her upper register, where Glass places a lot of awkward phrases, gleamed, even as she smoldered at Orpheus.”
David Stabler, The Oregonian


October 20, 2009

$32.5 MILLION IN TICKETS SOLD IN 1 WK
 

You’ve seen the movie,
You’ve read the book,
Now hear the opera!

Lisa Saffer, soprano “Max”
Oliver Knussen Where the Wild Things Are
Deutsche Grammophon

“Well-nigh definitive performance with Lisa Saffer as the irrepressible Max...”
--BBC Music Magazine

HEAR Lisa as Max in Where the Wild Things Are

BUY Where the Wild Things Are


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