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with Lisa Saffer
August 9, 2010
“Nipping Down to Hell with Philip Glass”
ORPHÉE
Music by Philip Glass
Libretto by Philip Glass based on the 1949 film Orphée by
Jean Cocteau
World Premiere Recording
Anne Manson, conductor
Lisa Saffer, soprano "La Princesse"
Portland Opera Company
"Nipping Down to Hell With Philip Glass"
--Anthony Tommasini,
The New York Times
"IN 1993 I attended the
premiere of Philip Glass’s opera "Orphée"
and was unimpressed.…The work did not cohere stylistically, and Mr.
Glass’s score seemed automatic-pilot Minimalism.
"In 2007 at the
Glimmerglass Opera
I heard "Orphée" again
… with the conductor Anne Manson drawing an urgent and
nuanced account of the score from the excellent orchestra and a
compelling cast. This time, 14 years after my first hearing, I was
swept away by "Orphée." I have come to consider it among Mr. Glass’s
most inspired works.
"The Glimmerglass production was presented last year
at the Portland Opera
in Oregon, with Ms. Manson conducting and many singers from
the Glimmerglass cast. An excellent recording, taken from a live
performance in Portland, has just been released by
Orange Mountain Music
(OMM 0068; two CDs), the first recording of the complete work.
"….The vibrant Ms. Manson works effectively
to bring transparency and balance to the orchestra, without loss of
plush colors and harmonic intensity…. the singers give engrossing
performances, especially the leads: the charismatic baritone Philip
Cutlip as Orphée and the lustrous soprano
Lisa Saffer
as the Princess."
Hear Anne Manson
Hear Lisa Saffer
Buy
Orphée
at Amazon
July 22, 2010
ORPHÉE
Music by Philip Glass
Libretto by Philip Glass based on the 1949 film
Orphée by Jean Cocteau
World Premiere Recording

Anne Manson, conductor
Sam Helfrich, director
Lisa Saffer, soprano "La Princesse"
Georgia Jarman, soprano "Eurydice"
Ryan MacPherson, tenor "Heurtebise"
Philip Cutlip, baritone "Orphée"
Portland Opera Company
NEW YORK, NY – July 20, 2010 – The Orange
Mountain Music label has announced the commercial release of the
world premiere recording of Philip Glass’ Orphée,
conducted by Anne Manson with the Portland Opera Company,
which will be available for purchase on July 20, 2010. The
production features a remarkable cast of soloists including renowned
soprano Georgia Jarman as Eurydice; baritone Philip Cutlip
and soprano Lisa Saffer – who both starred in the critically
acclaimed Glimmerglass production of the opera in 2007 – reprise
their roles as Orphée and La Princesse; and tenor Ryan MacPherson
as La Princesse’s chauffeur, Heurtebise. Glass’ Orphée has
been described by The New York Times as a "surprise
hit: a rich, complex and challenging experience" "vibrantly
conducted by Anne Manson", and was praised by The Wall Street
Journal as "the best show of the season" with a "top-flight
cast" in 2007.
Philip Glass’ Orphée (1993) was the first of
a trilogy of operas that Glass composed on subjects by Jean Cocteau,
which also comprises La Belle et la Bête (1994) and Les
Enfants Terribles (1996). The last of the three to be recorded,
this Michael Riesman-produced recording of Orphée was made
from the series of live performances that took place in November
2009 at Portland Opera. This two-disc set includes a deluxe digipack,
full libretto in French and English, color production photos and
cast and performer biographies.
Based on Jean Cocteau’s fascinating retelling of the
Orpheus myth in his 1949 film of the same title, Glass’ Orphée
is an extended parable on the life of an artist, a poet harassed and
misunderstood by peers. His success leads to the ridicule by fellow
poets, ending in a creatively crippling isolation. With a renewed
apprehension of his own mortality, Orphée regains his emotional
strength, enabling him to ignore the trials of ordinary life,
freeing him to be a poet. The poets Orphée and Cégeste, Euridice,
and a mysterious Princess interact within the worlds of the living
and the dead, existing in that mysterious realm that separates the
two worlds. Love triumphs and thus returns Orphée and Euridice to
mortal life, with no remaining consciousness of their unusual time
spent between "the worlds". The Princess has violated the laws of
life and death one time too many and is banished into oblivion.
Philip Glass, following his attendance at an Orphée
performance in Portland, expressed his pleasure about the recording.
"This recording," he said, "happily completes the Cocteau Trilogy
and will admirably reflect my hopes and intentions for this piece.
The Portland Opera production features a brilliant cast and an
inspired conductor."
Anne Manson said, "It was a wonderful experience
working on Orphée with such a gifted cast and director. I hope that
the release of this recording will help to promote this wonderful
and effective piece of music theater of Philip Glass. May it have
many more performances!"
Portland Opera General Director Christopher
Mattaliano noted the historic aspect of this recording as well as
its significance in the world of contemporary classical music. "It
is an honor," he said, "to have Portland Opera’s production of
Orphée complete the recording collection of Philip Glass’ entire
Cocteau Trilogy. Mounting the west coast premiere of Orphée was a
project that energized the company and our community. This recording
puts the exclamation point on that excitement, especially since it
will make our work available to a world-wide audience. It is also a
source of pride for our staff, board, orchestra, and guest artists
to be involved in such a worthwhile project."
RECORDING DETAILS
Philip Glass – Orphée (complete opera recording)
Orange Mountain Music label
OMM0068 – UPC 801837006827
Portland Opera Company, Keller Auditorium, Portland, OR
November 6 – 14, 2009
Hear Anne Manson
Hear Lisa Saffer
Buy
Orphée
at Amazon
May 11, 2010
“Stamping and Cheers”
Lisa Saffer, soprano
Mary Phillips, mezzo-soprano
Portland Symphony Orchestra
Robert Moody, conductor
MAHLER Symphony No. 2 “Resurrection”
“…soprano Lisa Saffer and mezzo-soprano Mary Phillips, fully
deserved the flowers, stamping and cheers that greeted the final
gigantic chords….Phillips appeared first, in the short fourth
movement ‘Urlicht,’….What was particularly striking about her
reading was the way it progressed from doubt to triumph, based
almost entirely upon vocal color. Both Phillips and Saffer were
superb in the ‘The Great Call,’ of the finale, solo or soaring above
the massed chorus and orchestra, and their voices were perfectly
suited to a melodic duet.”
--Christopher Hyde,
Portland Press Herald
Hear Lisa Saffer
February 18, 2010
“A SENSE OF RHAPSODY”
Anne Manson, conductor
Lisa Saffer, soprano “La Princesse”
PHILIP GLASS Orphée
Portland Opera
“Conductor Anne Manson and a thirty-musician
orchestra brought precision and...a sense of rhapsody [to] Portland
Opera’s West Coast premiere of Orphée which Philip Glass
composed in 1991 to a French libretto taken almost verbatim from the
1949 Jean Cocteau film.
...soprano Lisa Saffer as La Princesse sang with radiant beauty...”
--Mark Mandel, Opera News February 2010
January 22, 20 10
PAEANS OF PRAISE!
Paeans of Praise!
“Decade In Review”
San Francisco Chronicle
“...Nicholas McGegan’s nearly annual march through the
musical bounty of Handel’s oratorios and operas....when I look back
on my year-end lists from the past decade, Philharmonia’s superb
Handel performances show up like clockwork on practically every
one.”
“Editor’s CD Review of Opera and Song”
CultureKiosque
“Adès captures the other-worldliness of Ariel with stratospheric
writing for coloratura soprano, a role in which Cyndia Sieden
excels, occasionally intelligible at heights when most sopranos have
long ceased to articulate.”
“The Very Best of the Fall Opera Season”
The New York Observer
“In two recitals, one at Carnegie Hall and one at the Madison Avenue
Presbyterian Church, Emma Kirkby created worlds of stillness
in songs of the 17th century. I can’t get out of my head her encore
at both recitals, Purcell’s Evening Hymn, which seems to go
on forever and then ends much too quickly.”
“Top CDs of 2009”
Democrat and Chronicle
“Daniel Taylor, The Voice of Bach. Taylor is one of
the few countertenors of the world, raising his voice up to the
mezzo-soprano range. The Bach selections on this disc are given an
infinite boost with Taylor’s full, resonant and unique voice.”
“Best Classical Concerts of 2009”
The Oregonian
“Orphée, Portland Opera. Phillip Glass’ operatic riff on the
Orpheus legend stood out for its eye-catching set, powerful singing
[soprano Lisa Saffer] and layered, pensive score.”
“Critics’ Pick for Best of ‘09”
The Star-Ledger
“Henry Purcell: Ten Sonatas in Four Parts, Matthew Halls
harpsichord/organ. This beautifully produced recording from a U.K.
period-strings group marked the 350th birthday of Purcell by showing
how his polyphonic intimacies remain a lyrical, hypnotic marvel.”
November 11, 2009
GLASS Orphée
Lisa Saffer, soprano “La Princesse”
Philip Glass Orphée
Portland Opera
Anne Manson, conductor

Steven Brennfleck
Lisa Saffer
“...a terrific cast, led by Lisa Saffer, a
cougar on the prowl as the Princess of death....Saffer’s singing was
powerful, moving, and fearless. Her upper register, where Glass
places a lot of awkward phrases, gleamed, even as she smoldered at
Orpheus.”
David Stabler,
The Oregonian
October 20, 2009
$32.5 MILLION IN TICKETS SOLD IN 1 WK
You’ve seen the movie,
You’ve read the book,
Now hear the opera!
Lisa Saffer, soprano “Max”
Oliver Knussen Where the Wild Things Are
Deutsche Grammophon
“Well-nigh definitive performance with Lisa Saffer as the
irrepressible Max...”
--BBC Music Magazine

HEAR Lisa as Max in Where the Wild
Things Are
BUY Where the Wild Things Are
Read more about Lisa
Saffer

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